So hey, who wants to hear how well I’m doing in the TBR Challenge? You do? Well that’s just awesome. Funnily enough, I’m doing awesome too! In fact, The Mozart Conspiracy is my
fifth fourth (alright, so maybe not quite as awesome as I’d thought…) book this year that was on my TBR pile before 2012 and that’s nearly half. Go me and my overuse of italics!
Former SAS operative Ben Hope is running for his life. Enlisted by the beautiful Leigh Llewellyn – world famous opera star and Ben’s first love – to investigate her brother’s mysterious death, Ben finds himself caught up in a centuries-old puzzle. The official line states that Oliver died whilst investigating Mozart’s death, but the facts don’t add up. Oliver’s research reveals that Mozart, a notable freemason, may have been killed by a shadowy and powerful splinter group of the cult. The only clues lie in an ancient letter, believed to have been written by Mozart himself. When Leigh and Ben receive video evidence of a ritual sacrifice being performed by hooded men, they realise that the sect is still in existence today and will stop at nothing to remain a secret. From the dreaming spires of Oxford to Venice’s labyrinthine canals, the majestic architecture of Vienna and Slovenia’s snowy mountains, Ben and Leigh must forget the past and race across Europe to uncover the truth behind THE MOZART CONSPIRACY!
These books are a guilty of pleasure of mine. I’m never sure exactly what type of genre they are, but you know what I mean – action/thriller books with an intelligent, conspiracy-type base. Like The Da Vinci Code
or The Medusa Amulet.
There’s usually either a good-looking scholar or an ex-military man who searches for some long-lost artefact, but oh no – there’s a team of similarly ex-military backgrounded people who are also searching for the artefact, only they’re baddies so they have bigger guns. Oh, and the Freemasons are usually running about somewhere too.
I don’t know why I’m making fun of them really. I own so many I could put Waterstones to shame. It’s just that they’re generally pretty awful. But you know, so awful they’re actually kind of… well, good. And you don’t need to concentrate to read the, so they’re the ultimate comfort book.
I really liked the central premise – you don’t see a lot of books about conspiracies regarding famous historical composers. It’s usually biblical artefacts or art history related. Apparently there’s genuinely been a lot of conspiracy over the death of Mozart. Theoretically he died of rheumatic fever, but similar symptoms are produced when the victim ingests a certain type of poison, so it’s possible (if unlikely, in my opinion) that he didn’t die from natural causes after all. Mozart himself declared he had been poisoned but was ignored at the time, and ever since.
To be honest though, I’m getting a bit bored of all the Freemason plots. Just once I’d like to read one of these without a Mason lurking mysteriously behind every corner. I understand the attraction, I suppose – a secretive, mystical archaic cult with many prominent members and I know that Mozart was genuinely a part of the group. The plot would have worked just as well, if not better, without their inclusion – the explanatory notes at the back say that the real conspiracy theory (if there is such a thing) goes that he was poisoned by Salieri, a rival composer. Why wouldn’t that have worked as a plot device? You know how on every single mystery/crime programme, some hilarious person watching it with you will pipe up with ‘The Butler did it!?‘ Well it’s getting to the point where whenever I pick up one of these books, I want to shout out immediately that ‘The Masons did it!’
But hey, that’s all par for the course. I don’t mean to judge a book on the genre it’s affiliated with. The Mozart Conspiracy takes a bit of getting into, but it has a fast-paced plot and reasonably developed characters, if a little generic. It does have a few twists that make it stand out from the usual and the romantic sub-plot is actually fairly subtle.
I liked Leigh Llewellyn. She stood out as a well-rounded and interesting character. She’s an opera singer with a musically trained background, and so can actually contribute to the investigations. She’s not a pushover but not unnecessarily stubborn either. One of the better female book leads, I’d say.
However. However, however, however. The ending is appalling. Like, really I’m-making-a-point-of-it bad. I read it and just kind of blinked in confused astonishment. It seems incredibly pointless, unless it was about a point that Mr. Mariani just couldn’t be bothered to carry through to the next book, in which case – why add it the first place? I know that seems unnecessarily cryptic, but you’ll understand what I mean if you’ve read the book. It’s terrible, honestly.
Last thing – have you ever read one of those books that seems to be overly brutal for no reason than to shock? I know a lot of people said that about The Girl with the Dragon Tattoo
, but The Mozart Conspiracy
is just as guilty. There’s one particular scene that’s so horrific I had to dare myself to go back and make sure I’d actually read the damn thing right. It’s just… uhhh. I don’t mind a little brutality every now and again, but I do like it to fit in with the book and not just shoved in for the sake of it.
So there are parts that set The Mozart Conspiracy apart – the interesting plot, the believable characters and relationship, the fast-paced action… But then there are a few horribly clichéd parts that let the side down. The Mason culpability for example, or the pointless ending. It’s worth a read, but I’d say it’s more of a library thing.